Virtual Production

Made Accessible

Unleash your Creativity - Increase your Efficiency

We specialize in LED virtual production - bringing your content to the next level with immersive backgrounds.

As experts in the field, we’re here to collaborate and shape your vision with precision.

Our Services

For Production Companies

A person in a suit standing on stage with a large black grid backdrop and the word 'FORMLÖS' displayed.

Virtual Backdrop (2D)

Backplate productions using video or still playback on our LED wall, enhanced with live color grading, all without the need for camera tracking.

Have a look at some examples here

Person walking in front of a large Unreal Engine logo at a conference or event.

Virtual World (3D)

Immersive 3D environments powered by Unreal Engine and precision camera tracking. The LED wall responds dynamically to camera movement, placing your production directly inside a living, cinematic world.

Have a look at some examples here

A grayscale photograph of a car placed on a table or platform with a large, flat, illuminated surface above it, likely a lightbox or display panel, with trees visible through a window in the background.

Virtual Drive (2D)

A dedicated car-shooting setup with a 2 × 3 m overhead projection system. Realistic road environments and natural reflections bring vehicles to life, all within the comfort of the studio.

Have a look at some examples here

In-house Productions

A man standing in front of a black background with the word 'FÖRÖLÖS' and a blank white rectangle below it.

Virtual Video Trio

Our LED-volume package to produce three polished 60–90s videos. Includes The LED studio with crew, equipment, editing, and delivery in platform-ready formats.

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A man walking across a spacious, modern indoor lobby with a circular balcony, plants, and large windows.

The Elevator Pitch

A lean, two-hour studio slot where we produce a sharp one-minute video with our in-house production team. Includes LED studio, crew, equipment, editing and delivery within a week.

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A toy or model helicopter with binoculars placed on top of its roof.

Multicam Driving Plate Capture

We shoot multi-camera driving plates for LED walls and VFX. Synchronized angles captured in 4K with takes that drop straight into driving scenes. Library coming soon.

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Contact

Get in touch with us at hello@formlos.fi or call:

Jesse (FI) +358 50 568 7276
Joel (FI) +358 45 355 5750
Joel (SE) +46 793 44 26 32

Selected Still Images

  • A laser scanner with the Leica logo on a tripod against a background of diagonal illuminated green light beams.
  • A man with sunglasses, a full beard, and long hair is in a car, making a grumpy expression. A woman with long hair is sitting in the back seat, looking to the side.
  • A woman with freckles and tied-back hair sitting in a vehicle, wearing an orange jacket, looking at the camera with a slight smile. Background shows a blurred red brick building and greenery.
  • Santa Claus in a car on a rainy night, looking down, with dice hanging from the rearview mirror and raindrops on the windshield.
  • A man standing in front of a large ocean backdrop, wearing a beige blazer and dark pants.
  • A woman hanging colorful clothes on a clothesline outdoors near a lake with a forested hillside in the background on a sunny day.
  • A man in outdoor gear and a hat smiling, emerging from the ground with a sunset and nature landscape in the background.
  • A man with a serious expression, illuminated by blue light, stands behind a wooden fence at night with the full moon in the background.

FAQ

  • LED virtual production lets filmmakers see final environments live on set, instead of waiting for post-production. It reduces green screen limitations, creates natural lighting and reflections, and saves time and budget by combining real performance with digital worlds in real time.

  • Commercials, music videos, narrative film, product shoots, and car sequences all benefit from LED virtual production.

  • We provide test renders, camera previews, and tech checks so you can plan shots before arriving on set.

  • Yes! Lighting and backplate content can be adjusted to simulate any time of day, from bright daylight to night scenes, with full creative control.

  • We utilize the AOTO RM2.3e LED display paired with the award-winning Brompton Tessera SX40 processor. The screen measures 7m × 3.5m with a resolution of 3024 × 1512 pixels. It features a 2.3mm pixel pitch and a brightness of 1600 nits.

  • We recommend using a genlock-compatible camera. While a global shutter camera offers advantages, it is not essential.

    Most cinema-grade cameras, such as those from ARRI, RED, and Sony, are suitable. However, cameras with a slow rolling shutter may produce dark horizontal lines on the screen during rapid tilts.

  • Safe frame-rates are 24, 25, 30, 50, 60, 96. If you have any other frame rate in mind, please let us know.

  • Yes. The LED display has a native resolution of 3024 × 1512 pixels, with a 2:1 aspect ratio. Our playback system is compatible with most video and still image formats.

    Video: We recommend using 10-bit ProRes HQ or 4444. Avoid highly compressed video files, as they may cause artifacts, and note that 8-bit color can result in visible banding. Ensure the frame rate matches the one you'll use during the shoot.

    Stills: Preferred formats include .tif, .exr, or .png. Jpeg is also supported, but it is limited to 8 bit per color channel.

  • Virtual production requires the project to be set up correctly. You can bring your own project, but we have to prepare it for our system and the LED volume.

  • Absolutely! Our team can create or adapt environments in Unreal Engine, or collaborate with your design/CG partner.

  • Arabia B-Studio covers an area of 250 square meters, measuring 18m × 13m. For further details, please visit Angel Films website.

  • No, our LED can be relocated to other venues. If you’re interested in arranging a production off-site, please get in touch at hello@formlos.fi

  • We utilize Assimilate LiveFX, enabling real-time color grading of footage displayed on the LED.

  • The LED wall features a 2.3mm pixel pitch. As a general guideline, maintaining a 2.5m distance from the screen helps minimize moiré. However, if the LED is out of focus, you can position the camera as close as desired. This ultimately depends on the camera sensor and chosen focal length.

  • Absolutely. Studio 135 is soundproofed and optimized for recording sync sound alongside LED playback.

About us

Formlös is a team of virtual production specialists dedicated to guiding every project from concept to final frame. With over 20 years of combined filmmaking experience, we bring both technical mastery and creative insight to every production.

We are based at Studio 135 in Arabianranta, Helsinki, and always just an email away at hello@formlos.fi